The Whiteley Brothers
Taking
Our Time
"It is not unusual for Ken and Chris Whiteley to appear in this column, together or singly - in fact it's
difficult to come up with a name in the music business who has not involved one or the other of them in some capacity.
But this is the first time these two multi-talented multi-instrumentalists have decided to do it all themselves,
no rhythm section, no backup singers, nada. The most important thing they've done here though, together and separately,
is come up with some fine songs. "Looking For The Blues", "I'll Be Looking For You" and "Stranger
In Your Home" are among the very best new songs I've heard anywhere. There are also some truly fine musical
touches: the Lonnie Johnson sound to "Homeless Man", the decision to use a unison trumpet/slide guitar
on the melody of "I'll Be Looking For You" with a jug bass line, the John Lee Hooker-ish "Shufflin'
and Shaggin'" and the stringband sound of "Saskatchewan Blues".
To keep things from getting too serious, "I Don't Mind" is a plea for a share of a partner's
lottery winnings that will keep a smile on your face for its 3:55. "Hold It", "Perfume And Tobacco",
"On This Journey" and "Take Your Time" are perhaps less of blues interest but are excellent
songs nonetheless. Most every instrument we've seen them play shows up at one point or another and always appropriately."
-John's Blues Picks, MapleBlues
October 2001
Sixteen Shades Of Blue
The Whiteley Brothers Ken and Chris - have been major players on the Canadian folk and blues scenes for close to
three decades now. On their latest collaboration, they're presenting all-original material in 16 different styles
of the blues, ranging from the rural to the urban and from the classic to the contemporary. Although they're really
very good throughout, the Whiteleys are at their best on up-tempo numbers like the ragtime "Mr. Weatherman,"
the jump-style "Swinging The Blues," the happy-sounding "We Just Smile," the jazzy "I
Depend On You" and the jug band arrangement of "Doing Something Right." (MR)
-Sing Out! magazine, Winter 1997
Though Chris and Ken Whiteley have appeared on more than 150 recordings between them, this is their first solo
release. They play 16 original blues tunes (one co-written with Sylvia Tyson) which touch just about all the blues
bases from ragtime to gospel influenced rhythms to jug band. The brothers have a distinct style and they are in
command of what they do. If you are looking for good original blues stories, this is the place. Sixteen Shades
of Blue is one of the first releases from the newly formed Borealis Recording Company (Ken Whiteley is a founder),
and it is an impressive debut, to be followed by discs from Eileen McGann and J.P. Cormier. (KD)
-Dirty
Linen magazine, Apr/May 1997
Chris and Ken Whiteley have a pleasant surprise here. Although they have appeared on more than
150 recordings between them, this is the first album of all original material. Doing the blues, their way since
the sixties has given them a natural, sometimes intense, most times laid back feel for this music genre. Taking
turns on lead vocals and displaying their talents on more than 20 instruments, including acoustic and electric
guitar, piano, trumpet, mandolin, harmonica, accordion and, yes, washboard and rubberboard, the Whiteleys serve
up a package of delectable blues, so grained with soul that it might even surprise their many fans, particularly
with the jug band treatment of Must Be Doing Something Right, the off-the wall ragtiming of Mr Weatherman, where
they get an assist from John Deehan on clarinet, Jerry Fuller on snare and high-hat and Victor Batemen on string
bass, and Gulf of Tears, described as a "mid-temp shuffle with gospel-style vocals. Those vocals are laid
on beautifully by David Wall and John Mays. Much too much to pick from here. Friday Night Blues is exceptional
with Ken on tenor banjo and vocals, Chris on guitar and trumpet, keyboardist John Sheard, Dennis Pendrith on tuba,
drummer Al Cross, trombonist Laurie Bower and John Deehan on clarinet, an exhausting piece of work, as is the Louis
Prima style jump blues of Swinging The Blues. Another treasure is Now Tell Me That You've Got The Blues, which
Chris wrote with Sylvia Tyson. Great hornwork by Laurie Bower on trombone, John Deehan on tenor sax and Chris on
trumpet. Classis stuff. Instore play will attract. Available through Borealis at 416-530-4288. (WG)
-RPM - Monday December 9, 1996
Ken and Chris Whiteley are living proof that you don't have to live the blues to either sing or enjoy the blues.
The Toronto-based musicians have been playing vintage American music for more than 25 years, both as solo performers
and together. In 1992 they released Bluesology a critically acclaimed survey of classic blues tunes.
The distinguishing characteristic of Sixteen Shades of Blue, the Whiteleys' first Borealis release, is that all
16 tracks are original. Anyone who has listened to Chris' Second Look or Ken's Acoustic Eclectic albums already
know they can write as well as play and produce.
Sixteen Shades of Blue give's us more good songs, augmented by some of Toronto's best musicians including bassists
Denis Pendrith and Victor Bateman, drummer Al Cross and pianist John Sheard among others - not forgetting Chris's
guitar-wielding son Daniel. As usual, Ken and Chris pitch in with their own dozen or so instruments.
-Robert Reid
THE RECORD, Kitchener, Thursday, April 24, 1997